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	<title>Comments on: DJ Transitions</title>
	<atom:link href="http://www.kentsandvik.com/2007/11/27/dj-transitions/feed" rel="self" type="application/rss+xml" />
	<link>http://www.kentsandvik.com/2007/11/27/dj-transitions</link>
	<description>Music. Or, Anything Anytime Any Place for No Reason At All. Musical alchemy rules.</description>
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		<title>By: Kill Paris</title>
		<link>http://www.kentsandvik.com/2007/11/27/dj-transitions/comment-page-1#comment-2346</link>
		<dc:creator>Kill Paris</dc:creator>
		<pubDate>Fri, 12 Mar 2010 22:12:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.kentsandvik.com/2007/11/27/dj-transitions/#comment-2346</guid>
		<description>Insightful and helpful information here. I&#039;ve been stressing out over a mix i&#039;ve been working on for the past two weeks and trying to make it perfect. Thank you for the advice!
Kp-</description>
		<content:encoded><![CDATA[<p>Insightful and helpful information here. I&#8217;ve been stressing out over a mix i&#8217;ve been working on for the past two weeks and trying to make it perfect. Thank you for the advice!<br />
Kp-</p>
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		<title>By: Dirty NeEdLeZ</title>
		<link>http://www.kentsandvik.com/2007/11/27/dj-transitions/comment-page-1#comment-1511</link>
		<dc:creator>Dirty NeEdLeZ</dc:creator>
		<pubDate>Thu, 07 Aug 2008 09:19:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.kentsandvik.com/2007/11/27/dj-transitions/#comment-1511</guid>
		<description>Hi Kent, great point. One thing I&#039;ve been doing in my DJ sets is decreasing the time a mix takes, one of NZ&#039;s top DJ&#039;s talked once about &quot;overmixing&quot;, when sometimes, all ya need to do is just slam it in!! As long as it&#039;s in phase, levels correct, etc, its all good. i find the sames predictable mixing boring myself so try to steer away from that. Hey cool site man, I&#039;ve been here for about an hour now, just cruising through. I saw ya on the Logic forum. Email me anytime. Peace!</description>
		<content:encoded><![CDATA[<p>Hi Kent, great point. One thing I&#8217;ve been doing in my DJ sets is decreasing the time a mix takes, one of NZ&#8217;s top DJ&#8217;s talked once about &#8220;overmixing&#8221;, when sometimes, all ya need to do is just slam it in!! As long as it&#8217;s in phase, levels correct, etc, its all good. i find the sames predictable mixing boring myself so try to steer away from that. Hey cool site man, I&#8217;ve been here for about an hour now, just cruising through. I saw ya on the Logic forum. Email me anytime. Peace!</p>
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		<title>By: Kent Sandvik</title>
		<link>http://www.kentsandvik.com/2007/11/27/dj-transitions/comment-page-1#comment-1461</link>
		<dc:creator>Kent Sandvik</dc:creator>
		<pubDate>Fri, 13 Jun 2008 17:11:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.kentsandvik.com/2007/11/27/dj-transitions/#comment-1461</guid>
		<description>Sometimes I feel the whole issue of long/perfect mixing cross-overs is something that DJs do in order to please or show other DJs, not the audience.</description>
		<content:encoded><![CDATA[<p>Sometimes I feel the whole issue of long/perfect mixing cross-overs is something that DJs do in order to please or show other DJs, not the audience.</p>
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		<title>By: Simon Mills</title>
		<link>http://www.kentsandvik.com/2007/11/27/dj-transitions/comment-page-1#comment-1452</link>
		<dc:creator>Simon Mills</dc:creator>
		<pubDate>Thu, 12 Jun 2008 08:24:01 +0000</pubDate>
		<guid isPermaLink="false">http://www.kentsandvik.com/2007/11/27/dj-transitions/#comment-1452</guid>
		<description>In the realm of Ableton I completely agree with you here. I&#039;ve been playing out for ten years, and one of my first lessons when I&#039;d first learned to beatmix is that it&#039;s not always the best way to go. I did a set where it was perfectly mixed, but in return the audience was not into it at all. another night I&#039;d mixed a set whilst very drunk - the mixing was awful but my choices of track were more outlandish, and I was met with one hell of a buzzing crowd! Audiences definitely respond to big tempo changes, pretty much the way they would listening to a wonderful chord change etc. I do think that most people think about beat mixing too much, and that&#039;s where it becomes very linear and boring. I tend to think along the lines of trying to mix the beats and the harmonies; this in it&#039;s own way creates a new piece of music out of 2 records, and I think that can justify doing a really long cross-over. I tend to try and knock it down a gear every few songs, almost like an ever-rising sawtooth wave - but even that becomes predicable, so in the end I guess you have to do what a lot of Djs don&#039;t and that&#039;s keep your eye on the audience and weight them up!</description>
		<content:encoded><![CDATA[<p>In the realm of Ableton I completely agree with you here. I&#8217;ve been playing out for ten years, and one of my first lessons when I&#8217;d first learned to beatmix is that it&#8217;s not always the best way to go. I did a set where it was perfectly mixed, but in return the audience was not into it at all. another night I&#8217;d mixed a set whilst very drunk &#8211; the mixing was awful but my choices of track were more outlandish, and I was met with one hell of a buzzing crowd! Audiences definitely respond to big tempo changes, pretty much the way they would listening to a wonderful chord change etc. I do think that most people think about beat mixing too much, and that&#8217;s where it becomes very linear and boring. I tend to think along the lines of trying to mix the beats and the harmonies; this in it&#8217;s own way creates a new piece of music out of 2 records, and I think that can justify doing a really long cross-over. I tend to try and knock it down a gear every few songs, almost like an ever-rising sawtooth wave &#8211; but even that becomes predicable, so in the end I guess you have to do what a lot of Djs don&#8217;t and that&#8217;s keep your eye on the audience and weight them up!</p>
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